Friday, September 02, 2005
Thursday, September 01, 2005
The sea
No composer renders the feel of the sea more successfully than Debussy: not only in the 3-movement La Mer, but also in his Nocturnes for orchestra, and in his piano Preludes. Though he employs an orchestra that virtually matches Wagner's, the tonal palette is uniquely his. Once Debussy heard a Javanese gamelan at the Paris Exposition of 1889, music was never the same. The technique of an interplay of color for its own sake remains his enduring legacy.